top of page

Adebola in Prison

  • Solape Adeyemi
  • 25 minutes ago
  • 2 min read

by Solape Adeyemi



It is a sad thing, really—

a young man leaving the shores of Nigeria with hope in his pocket and plans in his head, believing life could be bigger, kinder, fairer somewhere else.


Now look at where that journey ends.


Not in success.

Not even in survival.

But in a British prison cell, where his name no longer matters and his life is reduced to a number on a door.


Adebola will spend his best years there.

The years meant for building something—family, work, identity—will be swallowed by routine and restriction.


Prison life is not loud or dramatic. It is slow.

Oppressively slow.


Most days begin the same way: harsh lights snapping on, metal doors clanging open and shut, officers barking instructions that allow no delay and no argument. He will wake when told, eat when told, move when permitted. Choice will quietly disappear from his life.


His world will shrink to concrete and steel.

A small cell with a narrow bed, a thin mattress, and a stainless-steel toilet in the open. No privacy. No escape from himself. In winter, the cold settles into the walls. In summer, the air becomes heavy and stale. The smell—cleaner, sweat, old fabric—never really leaves.


He will wear the same dull prison clothes day after day.

Not because he wants to, but because there is no alternative. Even how he looks will no longer belong to him.


Meals will be basic and rushed, eaten in silence or alone in the cell with plastic cutlery that must be counted afterward. Hunger will be familiar. Enjoyment will not. Exercise will happen in a fenced yard under watchful eyes, high walls reminding everyone that the sky is the closest thing to freedom they’ll get.


Every movement will be monitored.

Cameras everywhere. Doors that lock behind him with finality. Conversations overheard. Letters opened. Phone calls timed and recorded. Even contact with family will feel borrowed, supervised, fragile.


And time—time will behave strangely.

Days will crawl. Years will blur.

Birthdays will pass unnoticed. News from home will arrive late and leave quickly, carrying grief he must process alone on a narrow bed in a locked cell.


Violence will hover in the background—not constant, but close enough to shape how he speaks, walks, sleeps. Trust will be rare. Alertness necessary. Sleep light.


What will hurt the most is the sameness.

Tomorrow will look exactly like today.

The same walls. The same clothes. The same regrets.


He will grow old there.

Grey hair appearing under fluorescent lights. Strength fading inside locked corridors. His youth spent replaying one moment of rage that changed everything.


He did not love the girl.

What he called love was obsession, and obsession turned deadly.

Miss Orons is gone forever.


Adebola remains—alive, breathing, confined.


When he finally walks out, if he does, he will not walk into freedom as he imagined it. He will be older, emptied out, and deported back to Nigeria with little more than the clothes he wears and the weight of decades lost.


The world will have moved on.

Life will not wait.


Two lives destroyed in different ways.

So much potential. So many futures erased.


All of it reduced to this quiet, grinding existence behind bars.


What a terrible waste.

  • duosuma-submit-button-black_2x
  • 94e4d519-48dc-4fa6-823f-2dd452c7a911_300x300
  • Bluesky_logo_(black)
  • X

About

We are a Chile-based literary review founded in November 2024. We aim to publish articles and reviews of books, films, videogames, museum exhibits, as well as creative essays, short stories, poetry, art, and photography in both English and Spanish. We believe that literature and art are a global language that unite its speakers and our enjoyment of it can be shared in ways that are fun, thoughtful, and full of innovation. We invite you and everyone who loves art, books, and interesting things to contribute to our literary review!

​

You can contact us at ultramarineliteraryreview@gmail.com.

​

You can also submit to us at Duotrope and find us on Chill Subs.

© 2024 by Ultramarine Literary Review. Powered and secured by Wix

bottom of page